{"id":175,"date":"2014-06-20T20:41:49","date_gmt":"2014-06-20T20:41:49","guid":{"rendered":"http:\/\/www.marcelogreco.com\/?page_id=175"},"modified":"2020-06-17T23:47:08","modified_gmt":"2020-06-17T23:47:08","slug":"about","status":"publish","type":"page","link":"https:\/\/marcelo.riosgreco.com\/?page_id=175","title":{"rendered":"About"},"content":{"rendered":"

\"MiniCV01\"<\/a><\/p>\n

Born in 1966, Marcelo started to work with photography as a freelancer for Brazilian and international press agencies through the French agency SIPA Press in 1996.<\/p>\n

His work has been focused mainly in the cultural field. He develops signature photography courses and workshops for the S\u00e3o Paulo Museum of Modern Art and supervises photographers in study groups to develop personal projects. He also coordinates and edits the work of many photographers for exhibitions in local and international events.<\/p>\n

In his signature work, the universe of women was his initial focus. For years, he took a series of photographs of Brazilian stage actresses and exhibited them in S\u00e3o Paulo and Santos, in Brazil, and, at the end of 2001, in Portugal.<\/p>\n

The Intimate project, Intimate Light, dealt with a metaphor about the female universe, was exhibited at the Pinacoteca do Estado in 2002 and as a result of this work, received a scholarship from the Portuguese Center of Photography to carry out a parallel.<\/span><\/span><\/p>\n

This material was exposed in 2005 in S\u00e3o Paulo. <\/span>From 2005 the artist returns his look to contemporary urban life. <\/span>The first result of this new research was exposed in Germany in 2006 under the title Wild Silence. <\/span>In 2010 he published the book \/ portfolio Mixed Times with texts by the artist Sergio Fingermann. <\/span>This work was exposed in S\u00e3o Paulo and Rio de Janeiro.<\/span><\/p>\n

Since then he has worked on a series of visual narratives that bring the lived experience into illusory biographies, thus building a relationship between fiction and reality throughout history. <\/span>Within these projects Internal Affair – 2013, Shadows Dry – 2015 and now the stage Shelter in the mourning process. <\/span>The books already published in this series have been selected to be part of the Library of Congress – USA.<\/span><\/p>\n

He was general curator of the Photography Festival ‘Paraty em Foco’ 2008.<\/span><\/p>\n

In 2009 he created Schoeler Editions, an editorial house focused on the Fine Art market.<\/span><\/p>\n

Creates limited edition books and portfolios signed by the artist.<\/span><\/p>\n

Since 2012 develops a project of cultural exchanges and artistic residences. <\/span>He held with the Rietveld Academy of Art, Amsterdam where, along with Leo Divendal, he taught a course for 30 students, including 15 Brazilians and 15 Europeans and Asians. <\/span>In 2014 he promoted two artistic residencies for a group of students with Leo Divendal and with Machiel Botman in Amsterdam and Harlem.<\/span><\/p>\n

Currently participating in the project Lance Ventoux Mission, which aims to develop a cultural and artistic exchange between Brazil and France in the Provence region.<\/span><\/p>\n

\"Minicv02\"<\/a><\/p>\n

Photography Collections:<\/strong><\/p>\n

Library of Congress (USA) – Internal Affair book and Sombras Secas version limited Edition book<\/p>\n

Cole\u00e7\u00e3o Joaquim Paiva<\/p>\n

Funda\u00e7\u00e3o Cultural de Curitiba (Curitiba Cultural Foundation)<\/p>\n

ABRA \u2013 Academia Brasileira de Artes (Brazilian Academy of Arts)<\/p>\n

Pinacoteca do Estado de S\u00e3o Paulo (Art Gallery of the State of S\u00e3o Paulo)<\/p>\n

S\u00e3o Paulo Museum of Modern Art (MAM)<\/p>\n

Scholarships:<\/strong><\/p>\n

Support for the \u00cdntima Luz \u00a0(Intimate Light), Portuguese Photography Center (CPF) – 2003.<\/p>\n

Grant Pr\u00eamio Gloc Cultural with the project Sombras Secas – 2015.<\/p>\n

\u00a0\"Minicv03\"<\/a><\/strong><\/p>\n

Individual Exhibitions in Brazil:<\/strong><\/p>\n

2020 –<\/strong> Latitude 44\u00baN (virtual exhibition) – Bianca Boeckel Gallery – S\u00e3o Paulo<\/p>\n

2019<\/strong> – Helena – Im\u00e1gicas Gallery – S\u00e3o Paulo<\/p>\n

2015 –\u00a0<\/strong>Sombras Secas \u2013 Museu Imagem e do Som – S\u00e3o Paulo (Image and Sound Museum).<\/p>\n

2013<\/strong> \u2013 Urban Landscapes, SESC Santana, S\u00e3o Paulo; Internal Affairs, Espa\u00e7o Ophicina, S\u00e3o Paulo.<\/p>\n

2010<\/strong> \u2013 Mixed Times, Espa\u00e7o Contraponto, S\u00e3o Paulo; Tempos Misturados, Ateli\u00ea da Imagem, Rio de Janeiro.<\/p>\n

2005 –\u00a0<\/strong>\u00cdntima, Luz \u00cdntima \u2013 Portugal (Lowermost Light \u2013 Portugal), International Photography Month \u2013 Caixa Econ\u00f4mica Federal, S\u00e3o Paulo; Cam\u00f5es Institute; FotoArte Bras\u00edlia, Federal District.<\/p>\n

2004 –\u00a0<\/strong>\u00cdnfima Luz (Lowermost Light), SENAC School of Photography, S\u00e3o Paulo.<\/p>\n

2003 –\u00a0<\/strong>\u00cdntima, Luz \u00cdntima (Intimate, Intimate Light) project, an Itinerant SESI Exhibition, approximately 12 cities and 35 companies.<\/p>\n

2002 –\u00a0<\/strong>Mulheres \u2013 Substantivo Pr\u00f3prio (Women \u2013 Proper Noun), an Itinerant SESI Exhibition, approximately 12 cities and 35 companies; \u00cdntima, Luz \u00cdntima (Intimate, Intimate Light), Pinacoteca do Estado de S\u00e3o Paulo (Art Gallery of the State of S\u00e3o Paulo).<\/p>\n

2001 –\u00a0<\/strong>Mulheres \u2013 Substantivo Pr\u00f3prio (Women \u2013 Proper Noun), Espa\u00e7o Ophicina, S\u00e3o Paulo; International Photography Month \u2013 Casa das Fotos, Santos; Faces da Anima (Faces of the Anima), 3rd<\/sup> Annual Photography Program \u2013 Centro Cultural S\u00e3o Paulo, S\u00e3o Paulo.<\/p>\n

2000 –\u00a0<\/strong>Crian\u00e7as do Brasil (Children of Brazil), FNAC, S\u00e3o Paulo.<\/p>\n

1997 –\u00a0<\/strong>Mulheres Brasileiras em Cena (Brazilian Women on Stage), SESC Consola\u00e7\u00e3o; ABRA – Academia Brasileira de Arte (Brazilian Academy of Arts), S\u00e3o Paulo; MISS – Museu Imagem e do Som (Image and Sound Museum), Santos.<\/p>\n

Collective Exhibitions:<\/strong><\/p>\n

2019 <\/span><\/strong>– Un\u2019altra Storia, Bianca Boeckel Gallery, S\u00e3o Paulo; <\/span>Inverno na Provence, Museu de Arte de Santa Catarina, Florian\u00f3polis (SC).<\/span><\/p>\n

2018 – <\/span><\/strong>Inverno na Provence, Lombardi Gallery, S\u00e3o Paulo; <\/span>Miss\u00e3o Lance Ventoux, Th\u00e9\u00e2tre de la Nacelle, Aubergenville, France.<\/span><\/p>\n

2017 <\/span><\/strong>– Miss\u00e3o Lance Ventoux, Agence Tarriotte, Grignan, France; <\/span>Miss\u00e3o Lance Ventoux, Festival do Sert\u00e3o, Feira de Santana (BA).<\/span><\/p>\n

2016 <\/span><\/strong>– Miss\u00e3o Lance Ventoux, Armaz\u00e9m Cultural 11, Santos (SP); <\/span>Miss\u00e3o Lance Ventoux, Espa\u00e7o 321 Jacarand\u00e1, S\u00e3o Paulo<\/span><\/p>\n

2015 –\u00a0<\/strong>A arte da Lembran\u00e7a (The Remember) – Instituto Ita\u00fa Cultural, S\u00e3o Paulo; Dist\u00e2ncias Sutis, Casa das Rosas, S\u00e3o Paulo.<\/p>\n

2009 –\u00a0<\/strong>Cantos (Corners), Espa\u00e7o Ophicina, S\u00e3o Paulo.<\/p>\n

2006 –\u00a0<\/strong>O Universo de Guimar\u00e3es Rosa (The Universe of Guimar\u00e3es Rosa), SESC Pomp\u00e9ia, S\u00e3o Paulo.<\/p>\n

2004 –\u00a0<\/strong>Acesso a Terra no Brasil (Access to Land in Brazil), Harvard University, United States; S\u00e3o Paulo 450 years, Caixa Econ\u00f4mica Federal, S\u00e3o Paulo.<\/p>\n

2003 –\u00a0<\/strong>Pinacoteca do Estado (Art Gallery of the State of S\u00e3o Paulo) three-year retrospective, VI S\u00e3o Paulo International Month of Photography, S\u00e3o Paulo.<\/p>\n

2000 –\u00a0<\/strong>III International Photography Biennial, Curitiba.<\/p>\n

1996 –\u00a0<\/strong>ABRA Photography Festival, ABRA \u2013 Academia Brasileira de Artes (Brazilian Academy of Arts), S\u00e3o Paulo.<\/p>\n

International Exhibitions:<\/strong><\/p>\n

2007 –\u00a0<\/strong>\u00daltimas Est\u00f3rias (Last Stories), Tropenmuseum, Amsterdam, The Netherlands.<\/p>\n

2006 –\u00a0<\/strong>Sil\u00eancio Selvagem (Wild Silence), Solms; Leica Gallery, Germany; Sil\u00eancio Selvagem (Wild Silence), Frankfurt; Leica Gallery, Germany<\/p>\n

2004 –\u00a0<\/strong>\u00cdntima, Luz \u00cdntima (Intimate, Intimate Light), Brazilian Culture Festival, Frascati, Italy.<\/p>\n

2001 –\u00a0<\/strong>Mulheres Brasileiras em Cena (Brazilian Women on Stage), Campo Alegre Theater, Porto, Portugal.<\/p>\n

\u00a0\"MiniCv04\"<\/a><\/strong><\/p>\n

Printed Publications:<\/strong><\/p>\n

Collective<\/strong><\/p>\n

Bras\u00edlia – 45 Years<\/p>\n

Comunicar para n\u00e3o esquecer (Communicate so as not to forget).<\/p>\n

Individual Publications:<\/strong><\/p>\n

Abrigo (Shelter)<\/span><\/p>\n

A sombra da d\u00favida (The doubt’s shadow)\u00a0<\/span><\/p>\n

L\u00e1grimas Perdidas (Lost Tears)<\/span><\/p>\n

Sombras Secas<\/span><\/p>\n

Internal Affair – Limited Edition<\/p>\n

\u00cdntima Luz, (Intimate Light) – Artist Book, Limited Edition<\/p>\n

Tempos Misturados (Mixed Times) – Book\/Portfolio.<\/p>\n

Bras\u00edlia- Cole\u00e7\u00e3o Passaporte (Passport Collection).<\/p>\n","protected":false},"excerpt":{"rendered":"

Born in 1966, Marcelo started to work with photography as a freelancer for Brazilian and international press agencies through the French agency SIPA Press in 1996. His work has been focused mainly in the cultural field. He develops signature photography courses and workshops for the S\u00e3o Paulo Museum of Modern Art and supervises photographers in […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-175","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/marcelo.riosgreco.com\/index.php?rest_route=\/wp\/v2\/pages\/175","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marcelo.riosgreco.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/marcelo.riosgreco.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/marcelo.riosgreco.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/marcelo.riosgreco.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=175"}],"version-history":[{"count":12,"href":"https:\/\/marcelo.riosgreco.com\/index.php?rest_route=\/wp\/v2\/pages\/175\/revisions"}],"predecessor-version":[{"id":997,"href":"https:\/\/marcelo.riosgreco.com\/index.php?rest_route=\/wp\/v2\/pages\/175\/revisions\/997"}],"wp:attachment":[{"href":"https:\/\/marcelo.riosgreco.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=175"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}